Performances in N.Y.C. Advertisement Supported by “Alma,” premiering this week at the Vienna Volksoper, views its often-vilified protagonist through a feminist lens: as a thwarted composer and mother.

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Over consecutive evenings, the New York Philharmonic and the Metropolitan Opera Orchestra performed Mahler’s works on programs with ...

On Saturday, the San Diego Symphony, under Music Director Rafael Payare’s baton, played Mahler’s Symphony No. 2, “Resurrection,” as their first season concert in the newly restored Jacobs Music Center ...

Forget Lollapalooza and all the rest. The hottest festival ticket happens just once a generation, if not once a lifetime. That would be the Mahler Festival, a musical G20 summit of sorts celebrating ...

Editor’s note: The Daily’s editorial department acknowledges that this article is premised on a conflict of interest. This article is a special feature for Commencement 2025 that does not represent ...

The entire edifice of John Neumeier’s work is built around a profound musical sensibility. However, the choreographer, in his constant questioning of the human condition, probably finds the closest ...

As part of the Philharmonia’s 80th anniversary season, this performance of Mahler’s Symphony No. 7 should have been a showcase of precision and polish. In many ways it was: Jakub Hrůša’s command of ...

When Gustav Mahler stepped down from the podium one evening in 1895 after conducting the first full performance of his Second Symphony, the Berlin audience was hostile, and the critics fumed about ...

LENOX — A casual listener attending Saturday night’s performance at Tanglewood might have thought the Boston Symphony Orchestra was in especially good form in a program of Berlioz and Mahler. They ...

Without the music there would be no opera and no dancing. It's a simple as that. So it's important for the Norwegian National Opera Orchestra, that musical foundation on which our artistic forms are ...